![]() ![]() ![]() Vibrant period details add production value across every inch of Heung-sik’s film. Jilted by both love and music, So-yool acquires a patron in the form of the local police commissioner (Park Sung-woong of “New World”), a relationship built on exchanges of comfort and career advancement. ![]() ![]() He convinces Yeon-hee to leave Daesung and the traditional singing methods for this modern arrangements that have inspired the youthful public against the embedded Japanese regime. Kim first woos So-yool only to become enraptured by Yeon-hee’s beauty and vocal talent. Both women idolize the emerging pop mavens of the day, capturing the attention of the city’s top new songwriter Kim Yoon-woo (Yoo Yeon-seok of “Reply 1994”). So-yool (“Cold Eyes” star Han Hyo-joo) is the daughter of a famous singer and the institution’s headmistress (Jang Young-nam), and Yeon-hee (Chun Woo-hee of “The Wailing”) was a recovered orphan of lower class. Two recent graduates of Daesung have been best friends since they were children. The agency is arriving at a time of transition when a dual invasions are encroaching Korea, mainstream music and the Axis power of Japan. The lesser-talented subordinates became courtesans to those of privilege. The best and brightest from the commune’s tutelage became highly sought-after performers of traditional song and dance. Through the 1940’s, the Daesung Agency trained castoff young women for two purposes. ![]()
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